There were big plans for the canoe I built in 1988. Cindy, my wife then, and I were living in Washington, D.C.; we had moved there for an internship she had been chosen for by the Library of Congress, and I eventually landed a job in the Smithsonian Institution. Before leaving our home in Seattle we had rowed the Inside Passage and even after moving to D.C., we still had a thirst for adventure. We set our sights on paddling the Missouri River from its start at Three Forks, Montana, to the confluence with the Mississippi at St. Louis, Missouri. The only chance we’d have for that 2,300-mile voyage would be before settling back to Seattle to begin careers and have a family.For the boat we’d use for the Missouri, I was considering something like the decked lapstrake canoes used by John MacGregor in the late 1800s. In my copy of W.P. Stevens’s 1889 book, Canoe and Boat Building for Amateurs, I was drawn to his 15′ x 30″ American Cruising and Racing Canoe. It was designed as a single, so I stretched the station spacing to make it an 18′9″ tandem. The house we had rented outside of D.C. was small and the basement was only a little larger than a 20′ square. It would be a tight fit for the canoe. The beam of the canoe had to stay at 30″. The only way to get it out of the basement was through a window that had an opening scarcely 31″ wide.I used Tom Hill’s Ultralight Boatbuilding as a guide to the glued-plywood lapstrake construction I chose over traditional methods detailed in the Stevens book. I had a handy source of materials for the strongback and molds. I was hired by the Smithsonian’s Museum of African Art as an exhibits specialist and was able to salvage birch plywood and lumber whenever we demolished the previous cases and platforms to clear a gallery for new installations. There wasn’t enough room to run the long lumber through a stationary thickness planer, so I put it on casters and let it run across the floor, propelled by the wood pushing beyond the outfeed table.

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