The wood I like best for cleats, snotter thimbles, and parrel beads is locust, and I get all I need for free by the side of the road after a wind storm. Making the first cuts on the bandsaw used to be the part of the process that made me rather nervous.photographs by the author

The wood I like best for cleats, snotter thimbles, and parrel beads is locust, and I get all I need for free by the side of the road after a wind storm. Making the first cuts on the bandsaw used to be the part of the process that made me rather nervous.

The worst of the winter storms here in Seattle produce some very good wood for salvage. High winds drop a lot of limbs from my neighborhood’s hardwood trees and wind-whipped waves bring fresh driftwood to the local Puget Sound beaches. City crews often cut locust, cherry, and alder windfalls into short lengths and leave the wood in the roadside brush; yellow and red cedar occasionally get added to the driftwood that piles up above the high-tide line. Some pieces of wood are too good to pass up—I’ll often collect locust for cleats and parrel beads, and yellow cedar for carving and modelmaking.The hardest part of putting this found wood to good use is making the first two cuts to turn round logs and irregular driftwood into dimensional lumber. I’ve freehanded pieces through the bandsaw, but the cuts aren’t straight, and working unstable round shapes on a bandsaw scares me. I found some gizmos on the web—bandsaw log milling sleds—that make the job of getting straight cuts on logs a lot easier.

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